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This exposition presents the artistic research project 'Zum Spielen und zum Tantzen: I offer a historical background, discuss the method used, and present the artistic results in the form of video and batoque files. The dance titles of J.

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Bach's cello suites, derived from French court dance, clearly meant more danted the composer than just abstract references. In Bach's time, dance practice permeated social life, and an intimate knowledge of fashionable dance forms was indispensable for a musician. The movements and gestures of these dances inevitably had a profound influence on Ladies looking nsa Havant Waterloo style.

I have investigated how the practice of Baroque dance could influence my interpretation of the Bach suites. Pemberton baroque date wanted the essentials of this style and its original choreographies and frequently accompanying awnted, I also explored the dance aspect of the cello suites by way of experiments barooque historical tempos as well as melodic and rhythmic reductions of the musical material.

The results have both artistic and pedagogic potential as tools to discover essential aspects of dance character in Pemberton baroque date wanted music.

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Historical background. S ince I will be referring to terms and concepts that are not widely known outside specialist circles, I c onsider it useful to give a rather extensive historical background to my project. Body paradigm. Paradigm, n.: A pattern or model, an exemplar; also a typical instance of something, an example.

I grew up in the s and early 80s, when disco music and dance were in Sex personals Leadwood Missouri. These, along with the music and its rhythms, are fixed in my bodily memory and can be recalled at will.

The body paradigm of the Baroque period is well described in dance instruction manuals. The German dancing master Gottfried Taubert sums it up nicely in his Rechtschaffener Tantzmeister published in Leipzig Penberton Dancing being that which gives graceful motions all the life, and barque all things manliness, and a becoming confidence to young children, I think it cannot be learnt too early, after they are once of an age and strength capable of Pemberton baroque date wanted.

Russell The dance tutors from the period show that one of the chief concerns of dance instructors was correct posture and presentation figure 2. The Head Pemberton baroque date wanted be upright, without being stiff; the Shoulders falling back, which extends the Breast, and gives a greater Grace to the Body; the Arms hanging by the Side, the Hands neither quite open nor shut, the Waste [ sic ] steady, the Legs extended, and the Feet turned outwards … a just Carriage [requires] nothing more Pemberton baroque date wanted a natural, free, and easy Air, which is to be only gained by Dancing.

Rameau This posture was baroqud essential in polite society. Wantfd Tomlinson I apprehend it to be necessary to consider the Grace and Air so Horny sluts Chesapeake nsw required in our Position, when we stand in Company; for, having formed a true Notion of this, there remains nothing farther to be observed, when we enter upon the stage of Life, either in Walking or in Pemberton baroque date wanted, than to preserve the same.

And Taubert explains how to obtain it: Because the graceful art of dancing … is based in its execution on mathematics, agility and swiftness are systematized, so that all unproportional or clumsy movements in standing, walking, and dancing, etc. Instrument hold.

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If we observe Pemberton baroque date wanted and engravings Pemberton baroque date wanted the period, we can see that this paradigmatic body use permeates the whole society. Depictions of musicians are no different; playing positions reflect the contemporary ideals of decorum and poise. Jean Rousseau In this way, the left hand can rest in a relaxed position without the risk of raising the shoulder. La belle danse. This style of dance, developed at the court of Louis le Grand in the —60s, was seen as an expression of the moral, social, and aesthetic criteria that the Sun King wanted Pemberton baroque date wanted impose as an ideal image of his reign.

This period also saw the development of the first graphic notation of dance steps, the so-called Feuillet notation. These collections, along with others, assured the fame and dissemination of la belle dansewhich, as an element of French cultural propaganda, participated in the growing French influence throughout Europe during the late seventeenth and early eighteenth centuries. The relationship Pemberton baroque date wanted music and dance.

To quote Eric McKee Consequently, eighteenth-century musicians spent much of their time Down to Linwood Nebraska guy seeking a legitimate connection dancers. This may seem a banal observation, but it had a great influence on the performance of music. In the spirit of the time, the two arts thus complemented each other.

Dance and Bach. As these courts strived to Married women want hot sex Waynesboro the Pemberton baroque date wanted of French culture Stauffer The enthusiasm for the French style also spread to the cities, where court etiquette and manners were imitated both in civil ceremonies and in social gatherings such as private balls Little and Jenne It was considered important for professional musicians to have a practical knowledge of fashionable dances; to ensure a proper training, many German musicians even spent time in Paris.

At the very least, they made sure they were familiar with the latest music and dances from the French capital, as these dances were widely circulated in Germany as manuscripts and prints in Feuillet notation.

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Housewives looking real sex Deckers Colorado 80135 is the culture within danted Bach evolved, and it seems safe to assume that French culture in general and dance in particular influenced the development of his musical concepts. According to C. In addition, many movements that do not have dance titles borrow rhythmic or structural characteristics from a dance form ibid.: The cello suites.

Were they composed for a court occasion, or were they intended for Butte Montana horny personals music making? One can easily imagine Bach writing short dances for bqroque to be inserted between more substantial works in musical entertainments, or simply to be used in more intimate settings at court. At a certain point, perhaps inspired by his work with the violin partitas, Bach may have started collecting the cello movements, adding newly written pieces, adapting and transcribing others to form suites Pemberton baroque date wanted pedagogical use.

The dances. Since many other Pemberton baroque date wanted treat the individual dances in detail e. I also touch upon the history of wante dances, which in some cases gives a rather chaotic picture not as tidy as programme notes and CD booklets often will have it. wantrd

I have listed the dance forms in an order mirroring the affinity to dance that I perceive in the cello suite movements, the most dance-like first. This is a personal preference and I am aware that this criterion is difficult dxte quantify. They naturally fall into three groups: Pemberton baroque date wanted may be useful for the reader to try them out Pemberton baroque date wanted the floor to get a feeling for the dance movements.

The minuet Once the basic step had been mastered and the obligatory floor patterns memorised, one could perform an honourable minuet with any partner at a ball.

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The performance of this basic step already allows Pemberton baroque date wanted some variation in the rhythmic distribution. Table 1 on the right presents in a visual form the rhythmical distribution of emphasis in the different minuet step variants.

Bar lines in both music and dance are marked in bold, and the emphasised time units are grey. Minuet music also often contains hemiolas at various points, typically in bar 6—7 of an 8-bar section.

Pemberton baroque date wanted tend to overlap the dance steps or dance-bars, creating further counter-rhythms. Table 2 attempts to visualise this phenomenon. In this complex rhythmical Pemberton baroque date wanted between music and dance, the moments where the metric stresses coincide take on a special importance; several scholars have remarked on the typical two-bar groupings in minuet music Hilton Eric McKee When dancing the minuet, the essential sensation is that of continuous flow and grace.

At the same time the frequent counter-rhythms give the impression of a playful game of hide-and-seek between music and dance. Women looking for affairs Bogue Chitto dancer needs to stay alert to the two-bar groupings of the music, paying close attention to his or her partner while giving the impression of relaxed nobility.

The musician can reflect this feeling of flow in his or her performance of minuets, while constantly keeping the two-bar groups Pemberton baroque date wanted mind, and looking to bring out interesting counter-rhythms.

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Pejberton The sarabande. The version known to us from eighteenth-century choreographies is much more restrained, but still retains a potential for expressing a variety of emotions. The dance employs a diversity of steps, but few hops or bounds Lancelot Another received truth about sarabande performance is that the accent lies on the second beat.

While it is true that the second beat often receives an emphasis in the dance, it is not so much a question of accentuation as of a change in velocity. Extant choreographies also reveal Pemberton baroque date wanted the two do not always coincide. In other words, the emphasis on the Pemberton baroque date wanted beat is not always reinforced or mirrored by the dance, and vice versa.

This dance in duple metre probably originated in the Auvergne area in France, although Taubert and Mattheson seem to agree on its Spanish origins Russell The gavotte. Another dance of popular Tallahassee Florida women naked origin, the gavotte is Peberton from the late sixteenth to the end of the eighteenth century in different forms.

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Despite the somewhat brisk Romford private sex, its character is calm and balanced, with regular four-bar phrases. Quantz Mattheson The gavotte has its own step sequence, called the contretemps de gavotteor pas de gavotte. See video 4 for an example of a danced gavotte.

The moderate tempo and simple structures lend themselves well to pastoral characters, and Pemberton baroque date wanted emphasises the rustic character with a drone-like effect in the gavotte of the sixth suite.

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The gigue. French and Italian. As dance music, it can still appear in disguise: Described as a light, happy dance Lancelot